|
Find below
the course description for courses offered during Spring semester
2010. For additional and registration information please consult
the University of Kentucky online Schedule
of Classes.
Courses taught in
ENGLISH:
GER 103
Instructor:
Linda Worley |
Fairy Tales in
European Context
MW 9:00-9:50
+ one discussion section on R or F
|
|
This course shows students how to read folk and fairy tales
in new ways and to see our own culture in a critical
historical perspective. Readings and class lectures
highlight key issues and anxieties of European culture from
1400 to 1900 as well as reveal how people used magic and
fantasy to counteract and explain everyday life in Europe.
Students will learn how to read tales through multiple
critical lenses. Taught in English. Now with
discussion groups!
Fulfills half of USP III. C. Humanities Requirement. |
|
GER 361
Instructor:
Jeff Rogers
|
German Cinema
TR 9:30-10:45
|
|
An introduction to German film from the birth of the German
film industry in the aftermath of the First World War to the
present struggle to create an individual presence in a
global market dominated by Hollywood. Watch and discuss
classics such as The Cabinet of Dr. Caligari and more
recent films such as Run, Lola, Run. All films are
sub-titled in English. Can be combined with GER 395 (1 c.h.)
as a German discussion group. Taught in English.
Fulfills half of USP III.C. Humanities Requirement.
|
Courses taught in
GERMAN:
|
GER 101,
102, 201 and 202
|
Elementary
and Intermediate German
|
|
Please check the Schedule of Classes for the wide
selection of times and days. Introductory language courses
should be taken concurrently during the first two years of study
if at all possible. Learn more and succeed: fulfill your
language requirement in four semesters and then move on to take
advanced courses in the language or study abroad. |
GER 206 (now
3 credit hours!)
Instructor:
Holger Lenz |
Oral
Practice
TR
11:00-12:15
|
|
German 206 concentrates on the development of speaking and
listening skills. Students learn to negotiate everyday
communication situations by acquiring verbal strategies and
idiomatic expression needed for meaningful interaction in a
German-speaking environment.
Prerequisite or concurrent enrollment: GER 201 or equivalent. |
GER 308
Instructor: Harald Höbusch |
Intermed.
German Comp. and Convers. II
MWF 12:00-12:50
|
|
Students continue to develop their skills in the German
language by reviewing grammar, completing oral and written
projects, including work with films and Internet sites.
The class will concentrate on the history, sites, people,
and cultural products of the various German states.
Prerequisite:
GER 307 or equivalent. |
|
GER 310
Instructor:
Hillary Herzog
|
German for
International Business and Professions
TR 11:00-12:15
|
|
Through class readings, assignments and discussions,
students will gain a broad understanding of the way business
is practiced in German-speaking countries. Themes of the
course include: Germany’s recovery efforts and the state of
the economy in the wake of the global recession, Germany’s
role in the EU, the conditions of the German labor market,
and Germany’s function as a player in the world economy.
Students will enhance their abilities in all aspects of the
German language: reading, writing, speaking, and aural
comprehension.
Prerequisite:
GER 307 or permission of instructor. |
GER 395
Instructor:
Harald Höbusch |
Independent
Study (1-3)
To be
arranged
|
|
This course is designed for
students who wish to do advanced work in German on any
subject. May be repeated up to a maximum of six credit
hours.
Prerequisite: Major and a
standing of 3.0 in the Division. |
GER 416G/616
Instructor:
Jeff Rogers |
Studies in
Genre: Film
TR 3:30-4:45
|
|
This course examines the development of film as a narrative
form in Germany from its invention at the end of the 19th
century to the present. Periods include Weimar, Third Reich,
Postwar, East German, New German Cinema and Contemporary.
Represent-ative films from each period will be discussed in
their socio-historical context. Additional readings will
trace the development of a critical discourse on film.
Readings include Walter Benjamin's "Work of Art in the Age
of Mechanical Reproduction" and Adorno's "Culture Industry."
Films include The Cabinet of Dr. Caligari, M, The Last
Laugh, La Habanera, Olympia, Baron Münchhausen,
Förster vom Silberwald, The Marriage of Maria
Braun, Männer and Gegen die Wand.
|
GER 630
Instructor:
Hillary Herzog |
Studies in the
20th Century
TR 2:00-3:15 |
|
This course explores the major developments of German
literature and culture from the end of the 19th
century through 2000. Readings focus on poetry, prose, and
plays by major 20th-century authors. We will
consider different strategies of readings elicited by
various genres and texts from different historical periods.
We will examine important literary movements, tracing the
different contours of modernist prose and examining such
developments as Expressionism, Neue Sachlichkeit, Dada, the
literary experi-ments of the Gruppe 47, the political
engagement of the so-called ‘68ers, and the reemergence of a
vital Jewish culture in German-speaking countries.
|
GER 653-401/402
Instructor:
Harald Höbusch |
Scholarship
of Teaching German
M/W
6:00-6:50
|
|
This course
provides a forum for the theoretically informed discussion
of practical issues surrounding the teaching of elementary
college-level German using a communicative, four-skills
approach. Areas of focus include: long and short-term lesson
planning, structuring a productive class hour, making
effective use of a textbook, developing different types of
classroom activities and supplementary materials, testing
and evaluation, and accommodating a variety of learner
styles and goals. The course will expand students’ awareness
and understanding of foreign language learning while
assisting them to gain competence as teachers, developing
their pedagogical styles and skills. |
GER 721
Instructor:
Ted Fiedler |
Literature and
Politics: The Case of Peter Handke
M/W
3:30-4:45
|
|
Peter Handke’s essayistic and literary interventions in the
discourse on the Yugoslavian wars of the 1990s and their
aftermath have generated a great deal of public controversy
and continue to draw the attention of literary scholars and
critics. In this seminar we will explore these interventions
with reference to their multiple contexts ranging from
Handke’s biography and family history to his writings prior
to the 1990s to Austrian, German and Yugoslavian history of
the past 100 years. |
|